"The reconstruction of Puabi fully adorned provides insights into the fabric that lay beneath the sumptuous ornaments. The queen’s spectacular accessories, though important, have diverted our attention away from the cloth that lay beneath the eye-catching ornaments, which deteriorated (or de-materialized) long ago and so has been mostly invisible to us in the present day."
Omar Khan and Nikhil Gulati in conversation about The People of the Indus, the best-selling graphic novel about the ancient Indus civilisation shortly after its release.
Until Dr. Vermaak's paper (2008), no one had connected the known existence of a Meluhhan village in the Girsu/Lagash area with Guabba; the availability of more texts since the first connections were made by scholars like Asko Parpola allowed him to both locate it more precisely and tease out a number of other references that give us some sense of what these people did and were known for.
A look at some of the other artifacts we have from this extraordinary female ruler of the Mesopotamian city-state of Ur around 2500 BCE.
Archaeologists often assume that metals like bronze replaced the need for stone tools, but is this really the case given the evidence in these two areas not to mention select Mediterranean regions? In the Indus region, what was the use of these tools given their limited presence in Mohenjo-daro and Harappa?
"Jar painted with birds. 2600-1900 BC, Terracotta with red slip and black painted decoration," is what the unvarnished description at the Museum of Fine Arts (MoFA), Boston reads; in truth this is one of the largest and most richly painted ancient Indus pots ever found.
